Thursday, July 18, 2013

Gig Review : Swarathma at HRC B'lore

This is the sixth time I’m seeing Swarathma live, and it was definitely not the best gig of theirs. The band has sort of templatized (word we use in the corporate circles which means ‘to make a template of’) their shows. So like the plot of most romantic Bollywood movies, you know what to expect. While they did try and change things around a bit this time, by trying new things, it wasn't overly different from their previous gigs. That’s not to say it wasn't a fun evening.

Swarathma at NH7 Weekender B'lore 2012

The band started the evening with Aaj Ki Taaza Fikar which got the crowd grooving along. The band went on to play some of their classics which included Duur Kinara (the collaboration with Shubha Mudgal from the first season of The Dewarists), Ee Bhoomi, Koorane, Sur Mera, Topiwale and their trademark Pyaar Ke Rang where Vasu Dixit mingles with the crowd on the Rajasthani horse.  There was a rather interesting limerick shared by bassist, Jishnu – 'Shaadi ke pehle ladka ladki bane love birds.... Shaadi ke pehle ladka ladki bane love birds... Shaadi ke baad ladka ladki bane angry birds.' (I’m unsure if it was the beer, but that line had me in splits.... which is odd considering I’m not married).

The band did try to change things by going all acoustic on Bolo Kya Hain . During the course of the evening Swarathma introduced the crowd to a few new songs and a new video. The new video for their song Rang Zinda Hain was premiered at the Bangalore show. Not the most memorable video I've seen. I don’t want to be the grouch who trashed the first time effort of the team that put the video together, so I’ll just leave it at that. The band also played their latest collaboration of Naane Daari , which was done with Delhi-based electronic act Dualist Enquiry. While the crowd was going crazy dancing away, I’m yet to cozy up to electronic music. 

The evening closed with a new tapori-esque song of the band called Haste Rahenge which they said would be available on their website for a free download.  Yup, you heard me, free download.( Somewhere a pirate just died). The crowd kept demanding the band play Pyaasi, but the infamous 10 PM witching hour of Bangalore was upon us. An entertaining evening , but not a very memorable one.  Unfortunately, I managed to successfully delete all the pictures of the evening from my camera for which I am giving myself a time-out by standing in the corner.

Here's a older video of theirs to keep you company.

Friday, July 5, 2013

I’m embarrassed (and guilty) too…

Anyone remember MTV in India in the early 90s?  Back in the day when  there was no local flavor to it (and it should have stayed that way) and we got a healthy dose of Michael Jackson, GNR, Aerosmith, Bon Jovi... and that other band called Metallica who ‘good boys and girls do not listen to because heavy metal is music of the devil’.

It was an awesome feeling to finally put the face of Slash to the guitar solo you heard being played off that tape that you picked up from the local music store. Going forth, any time you heard the solo from November Rain, you’d immediately have the scene of Slash walking out in front of a church with his Gibson Les Paul and playing that solo, play in your head.

While all this seemed fine, unknowingly we were slowly being subject to the likes of Apache Indian, No Doubt. As the decade drew to a close, the Indian flavor had set in and the host of Indian VJ’s like Chinnapa, Cyrus, and Maria had taken over our TV sets. Like the slow hit of a good joint, we were being subject to boy bands such as Backstreet Boys, Boyzone, No Mercy (with their famous  ‘Where do you go’ and the hit sequel ‘Please don’t go’….face palm) and MLTR.

That was the story of the average kid in the late 90s who was dependent on MTV for their daily hit of western music because Bollywood was just not cool any more. And in an era before YouTube (and the internet in general), this was the only music we knew. And if anyone from that era tells you that they never listened and sang along to ‘Backstreets back…alright’ is a bare faced liar. Every metal head today and the so-called ‘I’m into the whole underground music’ snob had at some point in time been into a boy band. Don’t believe them if they say otherwise.

I’ll admit it. Despite all the so –called, grunge, blues and metal that I worship vehemently now, I am guilty of owning more than a couple of boy band tapes. I once even danced to a Will Smith song back in school. I was also severely disappointed for not being part of the line-up that danced to the ‘Backstreets Back’ song a few years earlier. In my very first band, I played (and sang) ‘Words’ by Boyzone. (I know it’s actually a BeeGees classic, but everyone knew it for the Boyzone version.) I wanted to learn Spanish because I thought Ricky Martin was cool. I thought a white suit with a velvet red shirt and that silly little hat was ‘a style’.

It’s easy (and convenient) for me to blame it all on puberty and hormones back then. But that won’t change the fact that I’m guilty of holding up the devils horns whenever somebody on TV requested for the Westlife version of ‘Uptown Girl’. I’m also guilty of singing along to Backstreet Boys ‘Quit playing games with my heart’.  While I may have moved on to bigger and better genres of music, there is always this strand of ‘boy band pop music’ in my DNA that will rear its ugly head when I least expect it. Like the other time I carelessly started singing along to Boyzone’s ‘No Matter What’ when I heard the ringtone set by someone in the office floor. Your honour, I’m guilty of having worshipped boy bands. But I plead insanity for I had not yet heard the cure of grunge and blues. The defendant requests that a life time of ‘just-knowing’ what he did will be punishment enough.


PS: Even then I hated N’Sync and don’t comprehend why Timberlake is trying to become an actor